What We Know About Nathan Fielder's Elizabeth Holmes Documentary

Elizabeth Holmes, the Theranos founder convicted of defrauding investors, spent part of her final month of freedom before prison sitting across from comedian Nathan Fielder for a documentary that neither exonerates nor simply condemns her, according to a review published by TechCrunch. The film, titled "You Can See Everything," was made by A24 and directed by Lance Oppenheim, with Fielder taking an on-camera role as interviewer.

What is "You Can See Everything" about?

The documentary follows Holmes in the weeks before she surrendered in 2023 to begin an 11-year sentence for criminal fraud tied to Theranos, the blood-testing startup she founded, TechCrunch reported. Fielder, known for the docu-reality series "Nathan for You," interviews Holmes directly on camera, at one point drawing a parallel between his own television persona and her defense. "Isn't it weird that I, like, did a TV show about kind of a business scam, and you got in trouble for like … a business scam?" Fielder asks her, according to the outlet. Holmes replies that she had not made that connection and considers her situation "a pretty different situation."

How did the documentary come together?

According to TechCrunch, Holmes and her husband approached A24 roughly a month before she was due to report to prison, proposing that a film crew document her last days of freedom as what the outlet describes as "a last-ditch effort to exonerate her in the public eye." Fielder and Oppenheim took on the project, with Fielder — described by TechCrunch as "a cringe-comedy mastermind whose work often walks the line between fact and fiction" — probing who Holmes actually is beneath her public image.

What does Holmes say about her conviction?

Holmes maintains she did nothing wrong, even after a trial in which, TechCrunch notes, jurors heard from investors who lost hundreds of millions of dollars, whistleblowers who said they were silenced after flagging that Theranos' blood-testing devices did not work, and patients who said they acted on inaccurate results.

"The world believes a reality about me that isn't true," Holmes tells Fielder, according to the TechCrunch review. "I know I didn't commit any crime."

In one exchange cited by the outlet, Fielder raises the idea that admitting Theranos was a kind of performance might have helped her case. "If you just said that, you know, Theranos was a comedy bit, maybe you could get off scot-free," he tells her. Holmes responds that it "was real," adding, "I was just kind of making a little joke. Maybe it was in bad taste."

How does Fielder's own history shape the film?

Fielder's reputation as a performer who blurs the line between sincerity and satire is central to how TechCrunch frames the documentary. The review points to an early "Nathan for You" episode, widely shared online at the time, in which Fielder persuaded a coffee shop to rebrand itself "Dumb Starbucks" as a parody-law marketing stunt, consulting a lawyer to stay inside the bounds of satire. TechCrunch argues that even Fielder's most dedicated viewers often cannot tell when he is acting and when he is simply himself — a persona the outlet says makes him uniquely suited to interrogate Holmes' own carefully managed public image.

The review also notes that filming began shortly after The New York Times published a profile of Holmes that was, in TechCrunch's account, "widely criticized at the time for allowing Holmes to portray herself as an innocent mom deprived of the chance to watch her kids grow up." TechCrunch presents the documentary's central tension as unresolved: whether Holmes genuinely believes she is innocent, or has simply never stopped performing that belief.

What to watch

• Whether Holmes offers any direct response, on camera or otherwise, to the whistleblower and patient testimony cited at her trial.
• How critics and Theranos investors react once the documentary reaches a wider audience.
• Whether A24 or Fielder address questions about access and motive, given that Holmes initiated the project herself.
• Any further comment from Fielder on where his own satirical persona ends and sincere inquiry begins.

TechCrunch's review does not specify a release date for "You Can See Everything" beyond noting it contains spoilers for viewers who have not yet seen the film, and the outlet's full account, including additional exchanges between Holmes and Fielder, is available at TechCrunch.

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